Tag: filmmaking tips

SFM documentary funded by House Parties & Kickstarter

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Today we are hosting a guest blog post written by the team behind the documentary STREET FIGHTING MAN. The documentary (twitter, FB) is due out in Spring 2013, and the production and post-production have been funded almost entirely through two Kickstarter campaigns, which raised over $30,000. Additionally, the Street Fighting Man team threw a series of old school house parties, hosted by some of their biggest Kickstarter cheerleaders, in cities across the United States to supplement their campaigns. The combination effect of the Kickstarter campaigns and the house parties is noteworthy. Not only did they raise the needed money to help complete production on the documentary, but they also managed to create an audience for STREET FIGHTING MAN months before its release in the process. The following interview features insights into their success from director/producer/cinematographer Andrew James and producers Sara Archambault and Katie Tibaldi.

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Fanta-Pstik

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The explosion of DSLR filmmaking in recent years has allowed independent filmmakers to create high resolution content with a shallow depth of field. In many ways the technology has done a lot to level the playing field between the independents and major studios. One of the better known examples of this leveling was the news that the 2010 season finale of House was shot entirely with a Canon 5d Mark II.

Anyone with DSLR experience knows that this high resolution imagery can be compromised by stability issues, however. Digital camcorders like the Panasonic HVX 200 had a sizable camera body that counterbalanced the weight of the lens and allowed for relatively stable hand-held shooting. DSLRs do not possess the same intrinsic balance. As a result, the run-and-gun style of many independent filmmakers yields shaky footage if attempted without stabilization gear. Now there are a number of solutions currently on the market that address DSLR stability, but the majority of them are often too complicated or expensive for my taste, which is why I was so excited to learn about the Pstik!

Developed by long-time DP and camera op Stephen J. Payne, the Pstik sells for $60 and utilizes a monopod and a few small lead weights to create a simple counterweight system, enabling filmmakers to run-and-gun with remarkably smooth and stable results. Here is how Stephen Payne explains it:

The Pstik. from Steve Payne on Vimeo.

Stephen started a kickstarter campaign for the Pstik, where you can get more information on the product, ask questions or stake your claim for one of these cool gizmos today.

DP & camera op Stephen J. Payne, inventor of the Pstik

 

 

Top 5 Crowd Funding Tips for Filmmakers

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Good news. Another special guest blogger has been added to our arsenal. Author and filmmaker James Cooper wrote the book Kickstarter for Filmmakers after successfully funding his short film Elijah the Prophet through the popular crowd funding website. Below James shares his top five crowd funding tips for filmmakers.

TOP FIVE CROWD FUNDING TIPS FOR FILMMAKERS by James Cooper


Kickstarter is creating a boom in creative communities around the world! Filmmakers everywhere are chomping at the bit to get in on the action, but did you know over half of all campaigns launched on Kickstarter fail?

Crowd funding is still a relatively new business model, and it can be overwhelming to make sense of it all. Without the proper preparation, though, you may be dooming yourself to failure before your campaign even sees the light of day.

There are many things to take into consideration when launching a crowd funding campaign on Kickstarter, Indiegogo or any similar platform, but here are some of the most important:

5. Know Your Audience

This should be easy, but for some reason seems to be overlooked not just in crowd funding campaigns, but in general. When many new filmmakers are asked “Who is your audience?” with respect to their new project, they too often answer “Well, everyone!” This will not do. Crowd funding sites are jungles, and even though some do have good tools for discovery, it will be very easy for you to get lost in the crowd.

Your success will be determined by your ability to get the word out, and your success in that will be determined by your ability to identify what groups and niche audiences you can focus on reaching. Crowd funding is still new enough that an interesting campaign is in of itself news.

4. Tell Me Who Is Involved

Simple, right? You’d think so, but quite often you’ll read through a project’s entire description and still not know who else is involved aside from the person writing the description/appearing in the pitch video. It takes more than one person to make a film, and your audience will want to know they can all be trusted to deliver.

Even if none of the people involved in your film are recognizable to the uninitiated, it still helps spur support if people can get a quick glance at the passionate team that’s dying to bring this project to fruition.

3. Be Realistic

It’s easy to be blinded by dollar signs when looking at other successful campaigns, but don’t get carried away when setting your goal. Maximize your odds of success by taking stock of your network and making realistic estimates of what kind of support you’ll be able to gain. Be conservative in these estimates. It would be a far better surprise to end up with more than you thought you’d have, than to come up with less.

To this effect, you also have to figure out if you think you can realistically fund the entire project through your campaign, or if you’ll have to bring outside financing to fill the gap. If you do, it’s far safer to have that in place prior to launching your campaign.

2. Be Honest

This seems obvious, but it’s one of the most important things to keep in mind as you build your campaign: Don’t lie; don’t misrepresent yourself or your credits; don’t make promises you can’t keep. When people back a campaign, they’re making a deal directly with you. Kickstarter, Indiegogo and other similar platforms don’t police your ability to deliver, so it’s up to you to do so. You don’t want to waste their money or ruin your reputation, so ensure you’re not promising more than you’re capable of.

Everything you include in your pitch video and your project description should be able to be distilled into two words: “Trust me.” For better or worse, crowd funding is a model that relies solely on trust: Trust that you can get this film made, trust that it will be good, trust that the money will be well spent, and trust that the claims made in your campaign are true. Don’t forget: This is the internet; it’s not hard to sniff out false claims.

1. More Than Money

Don’t let the funding part of the term crowd funding distract you – you’re getting more out of your campaign than money. Backers are early adopters, and they are more likely than anyone else to champion your project and shout it from the rooftops. They are now invested, literally, in your success. They’ve become part of the process, so treat them as such. Don’t just take their money and say thanks; show them you’re grateful for their help. This can take any shape you choose, but make them feel like they’ve backed the right horse.

I had a hard time deciding if #2 should be #1 or not, as they’re both equally important, but I ultimately decided the backer/campaigner relationship is the cornerstone of any crowd funding campaign and that the benefits outside the strictly financial should not be overlooked.

James Cooper is a film director and the author of Kickstarter for Filmmakers, now available on iBooks, Kindle, Nook and DRM-free PDF. www.kickstarterforfilmmakers.com