Tag: documentary

Artist, Filmmaker, & Renowned Disney Producer Don Hahn Comes to Cal Arts

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Hard to believe we are already halfway through the first month of 2017! So much has already happened this year. I just got back from Winnipeg where it was below -10 degrees. TALK ABOUT FREEZING. Luckily, I didn’t have to leave my hotel too much and I had a fantastic time at All Access 2017 hosted by On Screen Manitoba. I not only got to give a keynote address and take part in a fantastic panel discussion, but I also got to meet with some wonderful filmmakers. That is truly one of my favorite things. There is a lot going on in Winnipeg!

Look out for some informational blog posts coming up in the next few weeks where I will be talking about the importance of planning out the marketing of your films from inception and at various stages of the process which was the subject of my keynote.

In the meantime, I want to tell you about yesterday. As many of you know, outside of being a filmmaker and a marketing and distribution consultant, I have the pleasure of teaching some courses at Cal Arts. Yesterday, we had the fantastic Disney legend, Don Hahn, join us to give a presentation on unlocking one’s creative self. If you aren’t familiar with Don, he is best known for films like Beauty and the Beast and the Lion King. One of the things I truly like about Don is that he is also an avid fan of documentaries and has made some amazing ones himself. Those include Waking Sleeping Beauty, Earth, the incredible Tyrus (which he was the EP on) and many others.

I have to say that his presentation wasn’t only a learning experience for my students, but myself as well. (And I have to say this is always the case in our Guest Artist Workshop class).

Don touched on a lot of really interesting and important topics. He talked to the students about not letting fear hold them back, about the importance of creative collaboration, and about how many artists borrow and take from each other. But there was one message that really stood out to me and I think to my students as well.

That being, there is no such time in life when we are ready. He implored us to remember that it is a terrible thing to sit around and wait to be ready. Sometimes, you have to just get out and create. Don’t worry about the rest. Just get out and create.

What do you all think about that? How many times in life have we all let the fear of failure hold us back? How many times have we said, I’m not ready yet? Don’s message is one I think people from any industry can take heed from.

Thank you very much, Don, for coming and talking to the students at Cal Arts.

And of course, if you want to learn more about Don or check out his book Brain Storm: Unleashing Your Creative Self visit his site at http://www.donhahn.com/

Keep checking back regularly. I will be posting content from Sundance Film Festival coming up!

Distribution Transparency: Four Filmmakers Give Up the Gold Pt 2

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Wednesday’s post looked at Neil Berkeley and Judy Chaikin as two filmmakers who wanted to create a theatrical release for their films to boost visibility, increase ancillary value and learn for themselves how to operate in the new hybrid model of distribution and marketing. Today we will look at Paco de Onís the company Skylight he runs with with creative director Pamela Yates and editorial director Peter Kinoy and their film/media project Granito

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Distribution Transparency: Four Filmmakers Reveal Their Distribution Numbers, Part One

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Alternative distribution models are no longer the experiment, but are now the norm for the vast majority of filmmakers. However because of a variety of reasons, including not least contract obligations and a fear that exposing numbers may not show the filmmaker in the best light, many filmmakers have been reticent to give out the real numbers from their film’s releases.

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Two New Documentary Film Funds

Here are two new cool opportunities for filmmakers.

The Bertha BRITDOC Documentary Journalism Fund – for filmmakers from around the world working at the intersection of film and investigative journalism — films that break the important stories of our time, exposing injustice, bringing attention to unreported issues and cameras into regions previously unseen. £250,000 a year for 3 years is available to filmmakers as a mixture of grants and investments. Soniya Kirpalani’s We The People, about a miscarriage of justice against migrant workers in Dubai, is announced as the first production grant. Jess Search said, “This fund is urgently needed. Documentary is becoming an increasingly important medium for breaking stories which require long term investigation and the commitment to gather evidence and amplify voices. ‘We The People’ is just such a film and we are proud to be supporting it.”

The Bertha BRITDOC Connect Fund – the first outreach and engagement fund in Europe, is open to filmmakers from around the world with smart, strategic outreach campaigns that have the ability to achieve real change on a local, regional or global level. £250,0000 a year for 3 years is available in grants. Steve James’s The Interrupters is the first grantee. Rebecca Lichtenfeld said, “‘The Interrupters’ represents the best of contemporary social justice filmmaking. We believe that this film can inform and improve the lives of individuals and communities and we want to help that happen.”

Call for Entries: 2nd Annual Film Festival for Social & Environmental Change

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fans of film

Fans Of Film 2nd annual film festival for change starting Nov/01/2010 ending Nov/01/2010. This is a festival to distribution event.
ORGANIZERS: Michael Palombo and Pattie Greer

Fans Of Film wants to see the best and get 8 winning films in “documentary/narrative social and environmental films for change” that filmmakers can dish out, and we wanna distribute them… (film contract with Fans Of Film is non exclusive with 70% gross profits to the filmmaker. Learn More)