Check out this interesting new article in Variety on the ever-changing world of film distribution. Yours truly was one of Gregg’s sources.
Firstrun screenings have become events by Gregg Goldstein
Can kung-fu fighting monks, cave screenings and feral, caged Santa Clauses save the movie biz?
Exhibitors sure hope so. Around the globe, theaters and distribs are fighting competition from new media by turning firstrun screenings into the kind of events one expects at a theme park or state fair.
London’s Future Cinema, set to hit New York and Paris next year, draws up to 17,000 people for its surprise Secret Cinema screenings, with a troupe of actors mingling with the audience in environments staged to match the film. Alamo Drafthouse flew a real-life “Iron Man” with a custom jet pack above one of its theaters on the film’s opening weekend. Microdistrib Variance Films enlisted local comedians for 10-minute warmup sets and post-screening Q&As for its comic doc “American: The Bill Hicks Story.”
Though indie films can often make their biggest profits via one-night or weekend event screenings, one stumbling block to this approach, notes filmmaker and “Think Outside the Box Office” author Jon Reiss, is that news outlets usually won’t give crucial reviews for films booking less than a weeklong run. Another is that box office for these runs usually isn’t tallied by Rentrak or other tracking services, which can handicap filmmakers looking for ancillary deals.
Read the rest of the article at variety.com.